This Pin was discovered by Tania Cavenecia Torres. Discover (and save) your own Pins on Pinterest. Rafael Santa Cruz (29 September – 4 August ) was a renowned Afro- Peruvian musician and author of the book El Cajón Afroperuano on the cajón. el cajon afroperuano rafael santa cruz pdf. Quote. Postby Just» Tue Aug 28, am. Looking for el cajon afroperuano rafael santa cruz pdf. Will be.

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His presence is reassuring, impressive, fascinating. Santa Cruz died suddenly of a heart attack at age 53, just this past August. He had a knack for gathering local talents but was also intent eo creating bridges with other countries. When he intends to correct history, he does so with the modesty of a researcher whose writings are mainly based on the few historical records kept of a marginalized community.

There are numerous theories about the origin of the cajon. Rafael knows his subject — he wrote a book afrlperuano it — and can sidetrack for hours without ever losing the attention of his audience and always with sheer generosity. Social Media Twitter Facebook Tweets about ” nyamnews”. Minimum wage rising in 20 states and numerous cities, including NYC. The instrument was, for most of its history, solely relegated to the realms of Afro-Peruvian music.


The upcoming ceremony will also pay homage to recently deceased xajon and musician Rafael Santa Cruz, as well as to singer Jose Escajadillo, who has written over waltzes.

Rafael Santa Cruz (Author of El Cajón Afroperuano)

Rafael left us on April 4 th, a little over a year since our first meeting. In Ritmos Negros del Peru, he is the wise voice of the researcher, the authority of history, and the militant-musician. We spent hours with two cameras and six ears, listening and interrogating canon storyteller, generously welcomed in his elegant Republican house in the Chorillos neighborhood that lies in the South of Lima.

Inhe aforperuano the gathering of 1, cajon players during the International Peruvian Cajon Festival. Jets fire coach Todd Bowles after 4 seasons with no playoffs.

But today, with its afroperuanl recognition, Peru promotes use and knowledge about the cajon in its schools and museums and through countrywide programs. The instrument is a wooden box or drawer that drummers straddle while tapping with an open palm or fingertips. Our thoughts and friendship go to his family and his friends.


One can feel his warmth from the first handshake and his friendliness from the first embrace.

Rafael Santa Cruz

His line of thought follows the flow of an oft-repeated lecture, dimples appearing and arms swinging at the pace of his words, for hours and hours. Raafel thankful for support in the passage of historic anti-lynching bill. Seldom had we come out so astonished from an interview.

Another theory holds that the cajon is actually similar to boxlike instruments that were traditionally used in Angola. He was, above all, our friend. The country of Peru has slowly come to recognize a treasure in its midst. Cocodrilo Verde Ediciones,Santa Cruz was a recognized promoter of the cajon.

afriperuano Enslaved Africans in Peru are believed to have used old shipping crates and turned them into drums because there was a ban on African music, Spaniards believing it might help slaves organize uprisings.