Leos Janáček. Capriccio for piano (left hand), flute & brass ensemble (“Vzdor,” ” Defiance”), JW 7/ Composition Information ↓; Description. One of Leos Janácek’s last chamber music works was written in the autumn of at the suggestion of the pianist Otakar Hollmann (–), an invalid. Sheet Music – £ – Barenreiter BA – Leos Janacek Capriccio for Piano Left Hand and Wind Ensemble. Score and parts. One of Leos Janácek’s last.

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Music for Brass, Piano and Percussion. I have no way of knowing whether or not Postnikova ties her right arm behind her back, but she mostly takes the harder of the options, as in the section beginning at fig.

This CD is reissued by ArkivMusic. Composed between June to Octoberthe Capriccio was the result of a commission from pianist Otakar Hollmann, who lost the use of his right arm while in the Great War. Review This Title Share on Facebook. Featured Popular Ensembles Academy of St.

This page was last edited on 6 Septemberat Concertino for piano, violins, viola, clarinet, hor; Capriccio. All parts are composed in a fairly free form, with the capriccik and last movement having outlines of the sonata form.

Capriccio for Piano Left Hand & Wind Ensemble

Be the first to review this title. Genre Chamber Music Classical. This is a powerful disc, and a moving one. Retrieved from ” https: Drinking Hanging Out In Love. Capriccio appeared between the modernistic Concertino ofand the popular Sinfonietta of The work was apparently inspired by the request of the pianist Otakar Hollmannwho had lost the use of his right hand during World War I.


The first movement, marked Allegro, presents an energetic melody in the piano, which is then transferred to the trombone caprlccio trumpet in turn. The third movement is notable for its deliberate contrasting of a light-hearted tuba solo and a more sorrowful strain in the trumpet.

Janácek, Leoš / Capriccio for Piano Left Hand and Wind Ensemble / Bärenreiter Verlag

Capricco work was written shortly after a trip the composer took to England, where several of his chamber works had been performed. Postnikova also contributes a beautifully caprriccio, inward account of the strange In the mists pieces, and gives a performance of the Sonata that, without obscuring memories of the recent fine versions by Firkusny DG and RCA and Rudy EMIsuggests a contained melancholy that has a nobility of its own.

Piano Concerto; Piano Quintets. Having been reserved until the middle of the second movement, the introduction of this new instrumental color is striking and effective.

A good measure of the success of the performances lies not only in Rozhdestvensky’s magisterial control of the rhythm and phrasing but also his detailed balance. She gives a marvellous performance, in the Adagio searching out, with forlorn grace, the lyrical melodic line as Janacek sets its separated, unaccompanied notes against the little four-note interjections from the tenor tuba. More reasons were necessary. These two temperaments struggle for control throughout the movement.

Concertino; A Tale; Youth; Capriccio. Capriccio; Concertino; Dans les Brouillards. The Concertino and Capriccio are among Janacek’s last works, dating from andand also among his least compromising in every way. Rozhdestvensky phrases janacrk perhaps more elegantly, less strictly than Janacek may have intended, but it is beautifully effective, and part of his whole approach.

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Introspection Late Night Partying. Whoever manages to do it can play it. Orchestre de Paris Ensemble Period: The first edition of the Capriccio capricdio prepared by Jarmil Burghauser in In the work very unusual demands are placed on the individual instruments, with the brass parts in particular containing difficult passages. The trombone then joins the piano for a rather frenetic duet, which is followed by the first entrance of the flute. In four movements, it remains somewhat of an oddity not only in the field of chamber music, but in Janacek’s output as well.

Capriccio for piano (left hand),… | Details | AllMusic

Masterpieces for Piano Left Hand, Vol. Orchestre de Paris Ensemble Number of Discs: The latter are an effective addition and arise naturally out of the music, which makes it surprising that Postnikova misses out the first of them for the pernickety, this is at about 2’00”.

On an Overgrown Path 1. The composer made all the instruments parts equally capgiccio. Begins with a duet for flute and piano, the texture soon gives way to a much more active texture featuring lively brass and janxcek flourishes.

Not only for the difficulty of programming them, but also for the fearful problems of concert-hall balance, these are works well suited to janwcek gramophone, certainly when it is all as well done as here.